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Soft Cell's Musical Force Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond in Leeds in 1977

The talented musician, one half of the groundbreaking 1980s electronic music band Soft Cell, has died at the age of 66.

Alongside singer Marc Almond, the pair achieved a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their debut album their initial full-length release is considered a classic of electronic music.

He subsequently founded the innovative electronic act The Grid, who achieved chart success with 1994's the hit Swamp Thing.

Ball passed away calmly in his rest at his residence in London on Wednesday 22 October, just weeks after performing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

During that show, Ball performed in a wheelchair, as he had for the previous couple of years, after a period of health issues.

"I managed to damage myself quite a bit," he stated in a recent interview. "I fractured spinal bones in my spine and cracked about multiple ribs and fractured my arm."

Following catching pneumonia and developing blood poisoning, he was placed in an induced coma and stayed in the hospital for seven months.

Nevertheless, he had been in "a great place mentally" during the warmer months, as he was developing a fresh record with Almond, titled Danceteria, which is scheduled for publication next year.

"He was focused and so happy with the new album that we literally completed only a few days ago," said the singer in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an uplifting year for him, and I take some solace from the knowledge that he listened to the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond referred to his collaborator as "a wonderfully brilliant creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an significant aspect of my life and for the songs you created with me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, shared his condolences, remembering Ball's "constant humor" and "unwavering friendship".

"Forming a duo with someone is different from joining a group, the connection is incredibly close," he continued.
"That was the case with us. We went through so many remarkable, extraordinary, life-affirming experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in 2018

Formative Years

Brought into the world into a single-parent household in Chester in 1959, Ball was put up for adoption when he was 18 months of age.

He grew up in Blackpool with his new family his caregivers, who changed his first name from his birth name to David, together with his younger sister his sister, who was also adopted.

He met Almond at an art college in 1977, where they were both learning art. Fuelled by a mutual passion of Northern Soul, they formed Soft Cell the very year, and quickly produced an EP.

Creative Collaboration

The duo were an unusual combination: Ball was the reserved technician, hunched over his synthesizer, while Almond was a charismatic performer, all glitter and makeup; but they attained a rare musical alchemy.

Ball had developed a fascination with synthesizers after viewing Kraftwerk perform on BBC program Tomorrow's World, and began to marry dark electronica to the catchy tunes Almond was composing.

Their signature song became the UK's second most popular song of the early 80s, shifting 21 million copies worldwide. Together with successful tracks by other artists, contemporary bands and Ultravox, it contributed to paved the path for the synth-pop sound of the 80s.

The song was also featured on their full-length debut, their initial LP, which spawned two additional high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the separate release, Torch, which peaked at the second position in the following year.

Soft Cell in the studio
The duo were working on new material right up until Ball's death

Career Highlights

Fame had its benefits. "I enjoyed being able to purchase my initial property, having money and exploring, which makes me sound like a beauty queen," Ball not long ago told with a music magazine.

But it also caused challenges. "Sudden riches allowed we could afford newfound drugs to alleviate the boredom" of press appearances and television shows, Ball said.

"I realize that's a common saying, but it's a truism for a good reason, because it works for so many bands."

Amidst the hedonistic lifestyle, the duo were also drifting apart, but they succeeded to create a second classic album - the unconventional, edgy and fittingly named The Art Of Falling Apart.

They put out one more LP, their 1984 release This Last Night In Sodom, before ending the group to focus on other projects.

Almond proceeded to have a prosperous individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with melodic sounds over a enduring partnership.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, releasing the charting record Cruelty Without Beauty.

After a further break, they reappeared in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the large venue on 30 September, that year.

However, they remained together, creating their latest project, Happiness Not Included, during the 2020 Covid lockdown.

Ball recently described the duo's new album as a tribute to the New York club scene they frequented while making their initial records.

He added that his time in medical care had influenced the group's music.

"I experienced unusual memories when I was coming and going of hospital because I was on pain medication," he explained to a publication.
"Our latest tracks are a electronic representation of the noises in my head from those days.
"In parallel, it's about the experiences we had in the 80s."

The last versions were completed only days before Ball died. It is due for release in the spring of 2026.

DG
By

Deborah Garcia

A tech strategist with over a decade of experience in digital transformation and AI-driven solutions across European markets.

Vision Exchange UK

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