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Game Review: Sleaford Mods' Jason Williamson Takes On Character in Sceptical Examination at 90s Rave Culture

Helmed by Bristol sound co-founder Geoff Barrow, this sharp-edged if undernourished first film turns a sceptical eye on 90s rave culture. Venal drug user David (Marc Bessant) first robs an unconscious dealer, then in another flashback tries to break into his own family home. In no time, he's overturned in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Darkly Funny Duel

Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The central theme – that the ecstasy generation were mainly focused on number one – is clearly conveyed. But these vignettes are too thin to adequately prepare us for what to expect when the Woodsman arrives, enraged after David strangles his dog. Nevertheless, a grimly amusing standoff unfolds – David eager to get away; the Poacher withholding his jerrycan of cider, intent on soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.

Visual Flair and Music Video Sensibility

There is only one important plot development, but it results in a hilariously staged chaotic run on the woodland paths that dips close to rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the early stages, he now lets rip with the full lysergic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.

Game is in British and Irish theaters from 17 November.

DG
By

Deborah Garcia

A tech strategist with over a decade of experience in digital transformation and AI-driven solutions across European markets.

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